Der er fortsat delte meninger om hvorvidt AI bør bruges til spiludvikling, og det skyldes måske i særdeleshed at trods stålsatte løfter fra branchens pengemænd, så er AI blevet brugt til at skabe ringe, let identificerbare stykker artwork, der agere middelmådige stand-ins for rigtige kunstneres arbejde.
Men spørger du manden bag Dead Space og The Callisto Protocol, Glen Schofield, så er det for sent at putte trolden tilbage i æsken med AI. I et interview med The Game Business siger han dette:
"I remember when motion capture was going to take jobs away. I look at animation departments now, it could be 30 people. It always raises the bar. It's raising it now for me when I'm coming up with ideas and worlds. I wish I could predict what jobs [will come out of it]. I hear people going we're going to want prompt engineers. And we probably will. I am 100% behind AI. I've been there for a lot of these [moments]. I was there for the beginning of the internet when they said everyone would have a website. And now everybody does. AI is here, just work with it."
Det er ikke nødvendigvis sådan alle har det i spilbranchen, og blandt andet SAG-AFTRA har gået hårdt efter specifikke aftaler der indrammer brugen af AI til kreative arbejdsopgaver.
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