De fleste af os kender The Witcher-serien som en række af spil skabt af det polske studie CD Projekt RED, men de er faktisk alle baseret på en række romaner af forfatteren Andrzej Sapkowski, og i et nyt interview ovre hos Waypoint mener han at spillene faktisk har gjort at han har tabt bogsalg, ikke fået dem.
"I have nothing against the game itself. I think it's a high-level product. All the benefits CDPR received for it are absolutely well-earned. I have nothing against video games in general. I have nothing against the people who play them, even if I don't and never will. The whole animosity started when the game began to spoil my market."
"I wrote the first Witcher story 30 years ago. When I come to my author meetings, there's no one in the audience close to my age. I am 69. There's no one. Kids everywhere. How are some of them supposed to know - especially in Germany, Spain or the US -
that my books are not game related? That I'm not writing books based on games? They may not know that, and CDPR bravely conceals the game's origins. It's written in fine print, you need a microscope to see it, that the game is 'based on' [my books]."
"The belief, widely spread by CDPR, that the games made me popular outside of Poland is completely false. I made the games popular. All of my translations in the West—including the English one—were published before the first game."
Sapkowski mener altså at hans oversættelser af sine bøger i vesten gjorde spillene populære, dog har VG247 pointeret, at det første spil udkom i 2006, hvorimod de første oversættelser først ankom internationalt i 2007 og 2008.
I samme artikel ovre hos Waypoint fortæller forfatteren af Metro-serien, Dmitry Glukhovsky, dog en helt anden side af historien, og har i øvrigt intet til overs for Sapkowskis påstande om at spillene dræner markedet for hans bøger:
"I think that he's totally wrong, and that he's an arrogant mother******. Without the gaming franchise, the Witcher series would never get this crazy international readership that it has. And it's not just about the gamers but the gaming press and the buzz it creates, and just the feeling of something great and massive and impressive coming out. This got people hooked. He would remain a local Eastern European phenomenon without this, but he would never break into the West. And the same goes for my Metro books."
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